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David Bowie - We Are the Dead

Audio tagged as: music david_bowie
untitled on Flickr.66/366.

untitled on Flickr.

66/366.

Photo tagged as: 365 365_project 366 moi photography dancing_where_the_dogs_decay
soundthat:

untitled by Heartbeatbox

soundthat:

untitled by Heartbeatbox

Photo tagged as: reblog - Reblog from soundthat
vietnamization:

Afghanistan, 1970

vietnamization:

Afghanistan, 1970

Photo tagged as: reblog - Reblog from phantasy-star
necspenecmetu:

Charles Meynier, Erato, Muse of Lyrical Poetry, c. 1798-1800

necspenecmetu:

Charles Meynier, Erato, Muse of Lyrical Poetry, c. 1798-1800

Photo tagged as: art meynier reblog - Reblog from necspenecmetu
hollyhocksandtulips:

Marguerite Empey

hollyhocksandtulips:

Marguerite Empey

Photo tagged as: reblog - Reblog from hollyhocksandtulips

Loneliness reigns.

Text tagged as:
Oh my god, my mum had a red Datsun B210. Hot shit.

Oh my god, my mum had a red Datsun B210. Hot shit.

(Source: seventiescars)

Photo tagged as: car_porn and_or advertising_porn reblog - Reblog from sampeckham

(Source: theronweasleygeneration)

Video tagged as: the_great_gatsby f_scott_fitzgerald oh_god_yes_i_just_came reblog - Reblog from daprepster

(Source: drungohazewood)

Photo tagged as: i_am_george_costanza seinfeld example_23 reblog - Reblog from balanceandcatp0sure
welovepaintings:

Thomas KenningtonGreat Britain 1856-1916Homeless 1890oil on canvas170.0 x 152.0 cm
___
Homeless, 1890, is one of a series of works in which Kennington depicts the plight of women and children who were impoverished or destitute. Subjects such as these gained popularity during the 1870s and 1880s, partly as a result of the increasing influence of illustrated journals, which regularly commisssioned artists to provide images of ‘real’ life.
In Homeless, the square-brush technique used by Kennington in painting the wet pavement and the river, and his focus on subtle tonal variations rather than on colour - as in the soft grey light illuminating this scene - were among the characteristics adapted by British artists from French sources at the time.
CultureVictoria

welovepaintings:

Thomas Kennington
Great Britain 1856-1916
Homeless 1890
oil on canvas
170.0 x 152.0 cm

___

Homeless, 1890, is one of a series of works in which Kennington depicts the plight of women and children who were impoverished or destitute. Subjects such as these gained popularity during the 1870s and 1880s, partly as a result of the increasing influence of illustrated journals, which regularly commisssioned artists to provide images of ‘real’ life.

In Homeless, the square-brush technique used by Kennington in painting the wet pavement and the river, and his focus on subtle tonal variations rather than on colour - as in the soft grey light illuminating this scene - were among the characteristics adapted by British artists from French sources at the time.

CultureVictoria

Photo tagged as: art kennington reblog - Reblog from welovepaintings

lucynic83:

250 Favorite Classic Films in no particular order
Vertigo (1958)
Only one is a wanderer; two together are always going somewhere.

Video tagged as: hitchcock alfred_hitchcock vertigo reblog - Reblog from was-hed-out
svell:

Gyula Benczúr, Narcissus, 1881.

svell:

Gyula Benczúr, Narcissus, 1881.

(Source: Wikipedia)

Photo tagged as: art bencz_r reblog - Reblog from thebettythatiswhite

I think my stomach has actually shrunk.

Text tagged as: i_ve_gotten_used_to_not_eating_bleh

I’ll miss you every Saturday, Kristin.

Text tagged as: goodbye_ruby_tuesday

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